1. If you want to try a classic, you might try The Charterhouse of Parma by Stendhal, which is fast moving, very witty, and is both light hearted and serious. It takes place largely in northern Italy, first under the domination of Napoleon (which the viewpoint characters in the book feel to be liberating) and then of the post-Congress of Vienna Austrian repression. The plot largely involves love, politics, and social relationships in the court of the Duke of a minor city state. I am also a fan of a lesser-known Stendhal work, Lucien Lieuwen, but this is an odder taste. (I might note, however, that the second half of Lucien Lieuwen deals, in part, with the effect of communications technology on politics c. 1825.) The well known The Red and the Black is a good book but less of a good airplane read.
Another oddball classic which really engrossed me is Old Mortality by Sir Walter Scott, which is about a small rebellion against the English in Scotland around 1680, with the Presbyterians in the role of radical Islamists and the English Army in role of the Gestapo. (This sort of perspective on British history may be more familiar to you than it was to me, and therefore less fascinating.) You have to put up with a certain amount of early romantic literature silliness (which I mostly enjoyed)and Scottish dialect but the book works as an adventure story while also having interesting historical and moral overtones. For a modern reader the book is faster moving and generally more readable than most, if not all, of Scott’s other works.
2. If you have any taste for spy thrillers I highly recommend the works of Alan Furst dealing with Europe in the 1930s and 40s, and Charles McCarry’s books about a CIA man he calls Paul Christopher. Of the McCarrys, The Last Supper is the longest, and maybe the best airplane read. It is a (New England WASP and Prussian Junker) family saga as well as a spy story. Other McCarrys that are very good are The Secret Lovers and The Tears of Autumn. I like the earlier of Furst’s Europe-in-the-Facist-era books, such as Night Soldiers and Dark Star, better than the later ones, but they are all good.
These books are objectively at least as good as John LeCarre’s and I like them better. Furst is especially strong on scene setting and historic atmosphere. McCarry is especially strong on writing style and characterization. Many of Furst’s books are in print as trade paperbacks. McCarry’s Paul Christopher books seem to be out of print, but are readily available at my public library (in Washington, D.C.; I don’t know about where you are).
McCarry’s more recent political thrillers can be amusing but are not as good as his Paul Christopher books. (They also contain a lot of potentially annoying right-wing pontificating, but it’s sort of like right-wing pontificating on LSD so it’s OK. For example, Lucky Bastard re-imagines the life of (a thinly veiled stand-in for) William Jefferson Clinton on the assumption that, while on his Rhodes Scholarship, Clinton was blackmailed by a sexy female member of the Bader-Meinhoff gang into becomming a Soviet sleeper agent, with Hillary as his KGB handler. Despite my centrist-Democrat politics, and the so-so literary quality of the book, this is too good an idea to pass up.)
3. Rebecca West’s Black Lamb and Grey Falcon, though non-fiction (actually, its fictionalized a bit), is an amazing and very personal book. However, it is slightly heavy going and, at 1400 pages, it may be more than you want even for the Pacific. (I found that I enjoyed reading a couple of hundred pages and then wanted to set the book aside for a while. I don’t know if this fits your flight plans.) The book is nominally a travelogue of Yugoslavia in the late 1930s, with extensive political and historical background. (West doesn’t hesitate to spend a hundred or two-hundred pages on things like the Battle of Kosovo (the one in the 1300s) or the assassination of Archduke Ferdinand in Sarajevo in 1914. However, many other themes are integrated into the book, for example, sex roles in society, Orthodox Christianity, Scottish values as exemplified in scones and engineering, and all kinds of interesting or annonying personal prejudices of the author. On top of this, the entire book is a meditation on the historical and moral fate of Europe from the point of view of England facing Nazism alone in 1940-41, and, more generally, on humans’ relationship to good and evil.
4. With regard to Anna Karenina, Samuel Johnson is reported to have said to an aquaintance something like, “You mean you read books all the way through?!” (I don’t have the exact quote in front of me.)
5. You will presumably present book reports on any commenter-recommended books that you read.
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